This year the MUTEK and ELEKTRA festivals joined forces as EM15. It was a week-long audio-visual extravaganza, and I was fortunate to have the opportunity to participate. I performed four separate shows, which really pushed my limits. On Friday, May 30, SWACK took us to the moon and beyond the stars and Alicia Hush got all the juices flowing to close the night. Saturday night at the MAC, Fake_Electronics took us on a mind-bending journey; I particularly enjoyed playing this set. Later that evening I accompanied the ambient soundscapes of Chat Noir.
I thoroughly enjoyed all the music I got to work with, and most importantly, I had the chance to perform alongside friends. A big thanks to SWACK, Alicia Hush, and Fake_Electronics for meeting up for practice and working with me as we all prepared for the festival. This helped me create some new material for each artist, to match their music and give each show a different feel. This year’s MUTEK was quite a treat.
Here’s a small glimpse of found footage. You had to be there.
On May 23, continuing our collaboration from MUTEK_IMG, I performed visuals for Mateo Murphy‘s live set at the Nocturne Numérique at the Musée d’art Contemporain in Montréal. This was a special opening event for various digital arts festivals and exhibits taking place at the MAC, including BIAN and EM15. These events are part of the Printemps Numérique digital arts season taking place in the city.
This winter I played visuals at Montreal’s infamous Igloofest outdoor music festival, one night with Alex from Tokyo and another with Mayssam. The new Videotron stage was a giant enclosure made up of stacked cargo containers, creating the largest projection surface I’ve worked with to date. It was loads of fun and I got to showcase some all new material.
And here’s a video retrospective of the event:
MUTEK_IMG 2013 was the first edition of a new visuals-centric festival in Montreal. I had the opportunity to participate by giving a talk at a VJ showcase featuring many of Montreal’s talented visual artists. I also performed visuals live along with Mateo Murphy for the closing night of the event. This was definitely my most high-profile performance as I was up on stage instead of in the back of the room where the VJ usually resides. We setup OSC communication between Mateo’s Ableton Live setup and Oculon for better synchronization. This was also one of the first major performances I did using only real-time rendered content.
I am very happy to see a festival with more focus on visuals, it was a great opportunity to see the work of other visual artists and get technical with talks and workshops. Big thanks to MUTEK_IMG and Centre PHI for putting on an excellent event. I look forward to future editions of MUTEK_IMG.
In November 2013, I was invited to play visuals at the opening night of Festival Nemo in Paris with Laurel Halo and Electric Indigo. This was my first international gig, and also the most technically challenging. I had to output at 3840×1080 resolution to two projectors. Even with a recent computer upgrade, my machine was barely able to handle running both Resolume and Oculon at this resolution, so I had to keep layers and effects to a minimum. The video was output using a Matrox DualHead2Go, which creates a virtual monitor but outputs separately to the 2 projectors.
I followed Ryoichi Kurokawa, who performed one of the most striking audio-visual shows I have ever seen. I prepared material to fit Laurel Halo’s latest album, Chance of Rain, sticking to monochrome colors and minimalistic patterns. For Electric Indigo I let loose a bit more. As my hardware could barely keep up with rendering in real-time at such high resolutions, I commissioned some help from Diagraf, who generated some high-resolution video content to use along with Oculon.
The rest of the festival was also very interesting, showcasing many new media artworks and installations at the impressive Cent Quatre arts venue. It was a privilege to take part in this event, and getting flown to Paris to VJ wasn’t too shabby either.
I had the opportunity to play visuals along with some amazing artists this summer at MUTEK Montreal. At Metropolis, the stage was setup with a large screen with triangle-shaped layers. For the SAT I coded a custom module in Oculon to play on The Grid light wall created by Iregular.
NOCTURNE 4: Cloudface at Metropolis
NOCTURNE 4: Laurel Halo at Metropolis
I’ve been spending a lot of time writing code, which hasn’t left a lot of time for writing blog posts, so now it’s time for a sweeping update to cover all the work I’ve done in the past few months. I continue to develop my visualization engine, Oculon, using cinder. The focus has shifted from generating video content to creating a live performance system. In collaboration with Diagraf, we’ve created a hybrid setup that combines the output of Oculon with Resolume, allowing us to mix real-time generative content with video. We’ve used this setup to perform at several shows, most recently at Metropolis for MUTEK. I also used it solo for the first time to provide visuals for an RTS.FM podcast featuring Orbital Mechanics. This is a continual work in progress, with efforts divided between creating new visuals, improving the tech under the hood, and streamlining the user interface for live performance. Following is a summary of some of the work in these areas. Continue Reading →
This March for Montréal’s annual Nuit Blanche festival, Diagraf performed inside the dome and I had the opportunity to generate some pre-rendered clips for him using the visualization engine I am building.
Since I recently setup a new computer, I had the chance to take inventory of all the software I use. I try a lot of different applications to find the best for each task, and I prefer free and open-source software whenever possible. Here’s my current list of must-have free applications for Mac OS X, in no particular order. Continue Reading →
When I started working on the visualizer project, before I even had the idea for Orbiter in my head, I only had a vague notion of what I wanted to do and no idea how to do it. I hadn’t done any hobby programming for a while, so I started by looking into what tools I could use. Continue Reading →